- Think about body language - think about your character, their age, their background, and what era they're in; would they sit slouched? Upright? Legs crossed? etc.
- Who are you directing this at? - Are you talking to? Someone else onstage? The audience? It can't be both.
From this, I know that now I need to be more precise on my characterisation otherwise the meaning of my monologue can be lost.
Next lesson, we must bring in either a brand new monologue, well-prepared, or to bring in a monologue we've already done before which we have decided to use as our final monologue for our first performance. I have chosen to bring Eddie's monologue from Fading Joy as I feel it's a monologue that I can perform very well and I am very good at characterisation when playing a younger role.
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