Friday, 14 October 2016

Single - Applying Acting Styles - Blog 15 - 14/10/16

Today we were given a stimulus to create a physical theatre piece. Our stimulus was a poem by Stevie Smith and we had to incorporate the poem into our piece somehow by either choral speaking, whispers, repetition, chanting key words, projection etc. The poem is as follows:

Nobody heard him, the dead man,   
But still he lay moaning:
I was much further out than you thought   
And not waving but drowning.

Poor chap, he always loved larking
And now he’s dead
It must have been too cold for him his heart gave way,   
They said.

Oh, no no no, it was too cold always   
(Still the dead one lay moaning)   
I was much too far out all my life   

And not waving but drowning.

We began the lesson by reading the poem and coming up with ideas for a story to portray. We decided that from the phrases, "Nobody heard him, the dead man" and "not waving but drowning," we would base it on a late teen who suffers from bullying. We wanted to show that in all aspects of his life he is mistreated which led to his inevitable suicide. We wanted to show all these aspects in shorter scenes and demonstrate on each scene what effect that has on our troubled character.

We decided to lay out our cast as characters and they are as follows:
Charlie - The Bullied child
Lorna and Ollie K - The parents
Hope - The Girlfriend
Ollie M - The Boss
Everyone else - Multi role

We decided to use to create an outline for our story so that we have an idea on what we want to do with the piece. Below is the outline we went with:

  • Opening Death Scene
  • Childhood Bullying
  • Child Abuse
  • Work Issues
  • Death
We decided to show the Bullied Child's death scene to begin with to foreshadow what's to come later. The blocking for this scene is as follows:
  • Charlie starts atop two stage blocks facing the back. Ollie K and Lorna start on the floor downstage and start reading the opening line. Whilst they read the opening line, Ollie M, Kat, Hope, Rob and I support and lift Charlie as he falls backwards off the blocks.
  • We carry Charlie to centre stage and lay him to rest, Ollie K and Lorna stand and watch as he's lowered down. The next scene begins.
We wanted to show how The Bullied Child suffers immensely in all aspects of life, that he's slowly "drowning." We wanted this to start off at a younger age where he would get bullied as a child and then move on to Child Abuse and followed by issues at work. Below is the blocking for the bullying/girlfriend scene:
  • Charlie rises from being dead and walks slows downstage centre. Kat, Ollie M, Hope, Rob and I all stand behind him in a line. Kat leans in to hug him and in a chain we all link and hug the person infront of us. This is the idea of the bullies being deceptive and giving The Bullied Child a sense of false security.
  • Kat releases from the hug slyly and stabs Charlie, holds him and leans back. As she leans back, the person behind her leans back and this results in us all leaning back and then throwing Charlie forward onto the floor; this represents the act of betrayal.
  • Kat, Hope and Rob exit, while Ollie M and I remain. I kick Charlie and lift him up. Once Charlie is standing, Ollie M and I grab his arms, (Ollie grabs left with left, I grab right with right), we turn over our opposite shoulder to our active hands (Ollie rolls over his right, I roll over my left) so that we have our backs to him, We then lift him up by leaning forward due to shift in body weight and then we let go and drop him down. Ollie M and I exit.
  • Hope then runs in and offers to help Charlie. This then leads to a short hymn hands sequence which leads to Charlie being pushed away and left alone.
We though after this scene it would be very effective to show the progression of The Bullied Child and their gradual breaking down. We decided to showcase this in three short sequences, all very similar but each more intense. Below is our blocking for the scenes:
  • After whichever scene comes before, Charlie staggers and sits at centre stage. Ollie M, Kat, Hope, Rob and I would surround Charlie like walls (Hope and I stage right, Kat and Ollie stage left, Rob at the back.) One hand would be flat as if it were pressed against an invisible wall, the other would be a fist banging on the wall.
  • After the first scene (bullying) we pound rather slowly and throughout Charlie looks confused at this new pressure.
  • After the second scene (child abuse) we would pound the imaginary wall at double speed, resembling a heartbeat. Charlie would seem more freaked out by it this time after being surrounded by this for quite a while now; he would even be twitching too.
  • After the third scene (work scene) we would pound very fast on the imaginary wall, Charlie begins twitching a lot which leads to him lashing out. He runs at each of us at the wall and aims to hit us through the wall. Every time Charlie tries to hit us, we press both of our hands flat and once all of us have our hands flat, Charlie walls to the floor.
We feel this scene is very effective for portraying the gradual emotional break down of The Bullied Child.

For the work scene we wanted to incorporate some Round-By-Through, something different to the rest of the movement we've been using throughout the piece. Below is the blocking for this scene:
  • We start the scene from the second imaginary walls section and Charlie begins walking towards me. He goes to shake my hand, I grab it and turn under his arm and walk towards Kat and I stand where she was and she walks towards Charlie.
  • Charlie gestures for a hug but Kat places her left shoulder underneath Charlie's left arm and lifts him out of the way using the distribution of her body weight. She moves towards Hope and stands where she is and Hope walks towards Charlie.
  • Charlie walks towards Hope smiling but she spins around him seamlessly and walks towards Ollie M. She stands in his place and he walks towards Charlie furiously.
  • Ollie M approaches Charlie very angry and pointing at him, accusing him of not doing what he was supposed to and throws him to the ground to show that Charlie's been fired. Ollie stands where I stood at the beginning.
We decided for the end we wanted to repeat the beginning because it brings the entire piece full circle and shows that bullying is a never ending topic and will continue to repeat itself.

Thursday, 13 October 2016

Triple - Musical Theatre Unit (RENT) - Blog 9 - 13/10/16

Today, we focused on Santa Fe again by adding movement and other people and also worked on the majority of duet/group songs.

When rehearsing Santa Fe we felt that it would be better to add more people in (Will, Tyler, Warren) to do some of the "Oh's" to give the song more depth. This motivational number is about taking something small and making it big, so a growth in people during the song would do well to show this. We also added some movement into the mix too as the song would be incredibly dull without. Although all we added was simple gestures and interaction with each other, it made the scene much more interesting to watch.

Throughout the lesson, we sang through a lot more songs such as Take Me or Leave Me, Out Tonight, Tango: Maureen, Rent, Life Support, and I'll Cover You.

When singing I'll Cover You, Owen and I had lot more chemistry as we had sung through this song a lot more. However, we often get confused on a couple of harmonies but with a lot of time left until the final performance, this will sort itself out over time as we both get more experienced.

We started singing Life Support today which is a song that includes a lot more non-Main characters. I feel Tyler and Warren did very well in this song and it showed that they had listened to the song a lot before today. I knew this song very well due to being a big fan of RENT before this unit so it was only a matter of teaching Cameron where he comes in as Mark.

Next lesson, we will most likely run through Life Support, Seasons of Love, and Santa Fe.

Single - Applying Acting Styles - Blog 14 - 13/10/16 ***ADD VIDEO***

Today we focused on Physical Theatre, our new acting style. We looked at a couple of scenes from a previous Year 13 groups from their production of Let The Right One In. This was the play we were aiming to create a scene for. The way the previous students performed their scenes was very effective as they used a great deal of repetition. After watching their performance, we decided that we wanted to something very similar to produce a similar effect. We were also given a short dialogue scene which would follow on from our physical theatre scene. We read through this scene and we all found it very horrific and we all wanted to reflect this in our performance.

When searching for a song we had lots of different options in our head such as:
  • The Scientist - Coldplay
  • Young Sinatra - Logic
  • Tilted - Christine and the Queens
  • Lost Boy - Ruth B
However with all of these songs, we didn't feel that it changed much at all and we really needed a turning point in the music to vocalise the ideas we had. We then turned to Afire Love by Ed Sheeran and we feel that it works perfectly for our piece but we decided to use an instrumental version as the lyrics of the song didn't fit the mood of our piece.

When devising movement we wanted to show how our character of Oskar is left out of everything and express his sorrow through depressing repetitive movements. Ollie M, thought it would be good to show him doing very tedious chore such as shovelling snow off of his driveway as it not only shows him uncomfortable and depressed but it also makes it clear that it's set in a snowy environment which works well for the following scene.

We then had everyone else performing happier motions behind me to show the contrast between Oskar and everyone else. Our aim was to then have everyone pretend to accept Oskar and then shun him away.

Below is our movement:
  • I start from the back and slowly start walking downstage, shivering and blowing on my hands to keep warm. At the right point in the song, I started miming shovelling snow then warming up my hands. While I did this, everyone else behind me performed a routine where they slide, pick up snow and throw it towards the audience.
  • Once Rob gets to me, he gestures towards everyone else smiling, suggesting I join in. Excited by this, at the next point in the music, I repeat their routine and turn around for approval but they all have their back to me. I turn back to my shovel and hand warming routine. Whilst I'm doing this, everyone arranges themselves in a circle and turn to show a formulation of a scheme to hurt me. 
  • When Rob is facing towards me, the circle disperses into a line and Rob gestures to me to come join them. I run over to Rob, excited at the prospect of friendship, but when I get there, Rob lifts me up and chokeslams me down with my assistance.
  • After falling to the floor, Lorna and Ollie K, come over offering help. They lift me up but Kat and Ollie M push me back down to the ground and the group exits leaving me on the floor ready for the dialogue scene.
I feel that the dialogue scene went very well and I think finishes up or short piece rather nicely.

Below is the recording of our performance:

Wednesday, 12 October 2016

Triple - Musical Theatre Unit (RENT) - Blog 8 - 12/10/16

Today I worked more on my voice and trying to find the right pitch for Collins.

When singing I'll Cover You, there were a few times where I completely changed the octave I was singing in which doesn't make any sense and makes the song sound messy. This is where I found it very difficult to find the right pitch for Collins. I first thought I was starting in a lower octave than necessary but when I attempted to sing higher, I was too high. I realised that when I was aiming to go up one octave, I ended up going up two. I found it incredibly difficult to find the correct octave but I got there in the end.

However, when performing Santa Fe, I made the same mistake; on the "Oh's" after the chorus, I started off too low so as they got lower, I couldn't hit the final "Oh" as it was too low. However, with help from Mr Webb and Lorna, I managed to get this right by the end of the lesson.

Double - Auditions for Actors - Blog 10 - 12/10/16

Today, we focused a lot on our characterisation in preparation for our final performance for our first monologue next week.

We started off by writing down the feelings of our characters and some background info on them. Below is what I came up with:

We then looked into improvisation scenarios where in partners (Charlie & Rob/Lorna & Ollie/James & Me) we would be given a scenario which we would react to and interact with our partners in our characters from our chosen monologue.

The scenario James and I were given was to imagine that there was a bomb in the room and we both needed to find it or die. When reacting to the given scenario, I feel I did very well to stay in character throughout and react as my character would. For example, I got very flustered and couldn't decided whether we should touch the bomb or not for various reasons.

Our pairs were then swapped up (Charlie & Ollie/James & Lorna/Rob & Me) and we were given scenarios again however we didn't know what our partners scenarios were. For example, I was asked to sit on a chair with a bomb underneath and I wasn't allowed to move off of the chair or tell anyone why or the bomb would blow up however, Rob was told I was mental patient and he was trying to coax me off of my seat to go and get breakfast. I feel like this exercise went very well as we were both very familiar with our characters at this point so we naturally performed better.

We finished off with performed our monologues again having done all of this work on characterisation. I feel this was the best time I've ever performed my monologue as I felt like I truly knew the character after spending so much time being them. My movement related a lot more to what I was saying and I feel that my character was a great deal more believable. The number one thing I need to work on is making sure I know my monologue off by heart because a large portion of my performance today was adlibbed which isn't ideal for my final performance.

Next lesson, I will perform this monologue again but having learnt it off by heart.

Tuesday, 11 October 2016

Single - Applying Acting Styles - Blog 13 - 11/10/16

Today we performed our scene from He's Talking and focused a lot on our voice.

As our characters all grew up in Chelsea, they are clearly from a more upper class background so we made our voices more posh for our performance. We also focused on our pronunciation of some words such as "Apartheid."

We then performed the scene and recorded it linked below (Miss Cordell stood in as Miles because Charlie was absent) (https://www.youtube.com/watch?v=znPMdC_a6fc   /   https://www.youtube.com/watch?v=4djZcFtGVFI):
Notes:

  • My tone of voice was very good at most points but at others it was lost.
  • I feel that the entire piece was very static and we all could've used more gestures to liven up the scene more; this would've made the scene a lot more Naturalistic.
  • We all weren't prepared for Miles' line so when it came we all didn't know what to do. We should've planned ahead for this and worked out a solution. (Hence the two video clips)
  • I feel that we all had a good understanding of our characters and this showed in the performance. This is extremely important in Naturalism.

Monday, 10 October 2016

Triple - Musical Theatre Unit (RENT) - Blog 7 - 10/10/16

Today, we decided to move onto solo/duet songs as we learnt that Henri wouldn't be with us until after the half term due to illness so it would be pointless to go over full company songs while he isn't here. We split off into groups and looked at our relevant songs:

  • Lorna and Cameron went off to do Tango Maureen
  • Owen and I started singing I'll Cover You
  • Everyone else started on their solos or their sections in duets.
For I'll Cover You, Owen I wanted to start thinking about movement and actions straight away but we then felt this was unwise as we didn't know the song particularly well and felt it was foolish to attempt to sing a song whilst blocking movement when we're not too familiar with it yet. We listened to the song a couple of times and then began singing it together along with the regular track. I feel that this went very well and helped us find the correct harmonies for our character. In this song we want to portray our characters very deep relationship and how their feelings for each other are beyond sexual. We wanted to portray to the audience that Collins and Angel have such a strong connection. Also, this song needs to be perfect in order for I'll Cover You Reprise to sound effective! I'll Cover You establishes the bond that they share whilst I'll Cover You Reprise proves that even in death that the bond can't be broken.

After singing with the regular track for a while, we practised using the karaoke track.

Next lesson, we will work on this some more and possibly add some movement.